SURREALISM: THE ART MOVEMENT THAT DEFIED LOGIC AND TRANSFORMED MODERN ART
Inspired by Freud’s psychoanalysis and the “madness” of war, Surrealism was an avant-garde movement that sought to liberate the mind from reason and explore the subconscious through art and literature.
At the heart of the cultural effervescence of 1920s Paris, a new voice burst forth one that dared to dive into the depths of the human psyche to forge a new artistic language. Thus was born Surrealism, considered by many to be the last of the great avant-garde movements, one that transcended mere aesthetics to become a reassessment of values at every level, from poetry to visual arts.
Its birth was a reaction to the horrors of World War I and the supposed “madness” of the conflict. Inspired by the freedom of the Dada movement but with a more solid theoretical foundation, French poet and writer André Breton emerged as the central figure of Surrealism. After working as a stretcher-bearer in psychiatric hospitals, Breton became fascinated with the work of Sigmund Freud and the hidden reality behind madness. This led him to found a movement that combined Rimbaud’s desire to “change life” with Marx’s ambition to “transform the world.” In 1924, he published the Surrealist Manifesto, a foundational document that defined the movement as a “belief in the superior reality of certain forms of association previously neglected.”
THE MIND AS CANVAS: FREUD AND AUTOMATISM
Surrealism aimed to overcome the limitations of reason and unleash the power of the subconscious. Artists, influenced by Freud’s psychoanalytic theories particularly his book The Interpretation of Dreams dedicated themselves to exploring the inner workings of the mind. They believed that creativity born from the subconscious was more authentic and powerful than that derived from conscious thought. This quest for spontaneity and total freedom materialized in psychic automatism, a technique aimed at expressing without the control of reason or moral/aesthetic censorship.
In literature, automatic writing allowed thoughts to flow without restrictions, resulting in combinations of disjointed images and ideas that defied logic. In the visual arts, although spontaneity was harder to achieve, Surrealist artists developed various techniques to access it. Exquisite corpse, a collaborative game where several artists contributed to a piece without knowing what the others had added, produced surprising and unexpected results. Other techniques such as frottage (rubbing a pencil over a rough surface), decalcomania (pressing a painted surface against another to create textures), and Salvador Dalí’s paranoiac-critical method enabled artists to explore the world of the subconscious.
Surrealism, with its emphasis on the irrational, also manifested in the juxtaposition of the familiar with the improbable. Marcel Duchamp’s objet trouvé, which combined everyday objects in absurd contexts, aimed to disturb meaning and stimulate the unconscious. Meret Oppenheim’s work covering a teacup in fur is a clear example of this disruption. Artists also incorporated images and objects from so-called primitive cultures with anti-colonialist and anti-racist intent.
A MOVEMENT WITHOUT BORDERS
Although Surrealism began as a literary project, it quickly expanded into other disciplines such as painting, sculpture, photography, and film. In painting, there is no single style, but rather two general tendencies: the automatic and the naturalistic. The first is characterized by fluid, personal figurative worlds, while the second uses sometimes hyperrealistic figuration to depict dreamlike and ambiguous landscapes.
Surrealism’s influence spread across Europe and has lasted to the present day. Artists like Salvador Dalí considered the most iconic representative of the movement despite being expelled by Breton and René Magritte have captivated audiences with their dreamlike and strange imagery. Dalí even collaborated with Walt Disney on the short film Destino, a testament to the movement’s cross-disciplinary nature. The 59th Venice Biennale in 2022, inspired by a book by Surrealist artist Leonora Carrington, proves that Surrealism continues to inspire.
The movement also included numerous women artists, such as Eileen Agar, Claude Cahun, and Carmen Calvo. Although Breton’s leadership was at times authoritarian going so far as to purge brilliant figures like Dalí and Artaud his vision kept the movement cohesive until his death in 1966. Surrealism, with its ability to challenge reason and explore the irrational, has left an indelible mark on art history, reminding us that the most powerful creativity lies in the deepest, most unknown corners of our minds.